Kraftwerk


 


6-4-05 Riviera Theatre -Chicago
Review and Photos by Andy Argyrakis

 

         

 

 

Long before there were electronic acts like Depeche Mode, New Order, Yaz, Erasure and Pet Shop Boys, Germany gave birth to synthesizer innovators Kraftwerk. The time period was the mid-1970s when core members of the foursome Florian Schneider and Ralf Hütter introduced their “robot rock” revolution before Star Wars even hit the big screen. And now three decades later, the act’s influence and legacy lives on, coming to the Riveria Theatre in Chicago as part of an extremely limited run of American tour dates. The incredibly imamate opportunity was rare to say the least, especially considering it’s been approximately eight years since Kraftwerk stepped on windy city soil. However, the reason isn’t as random as it may seem, revolving mostly around the promotion of the brand new double live CD/DVD “Minimum-Maximum.” That June 2005 release served as the primarily blueprint for Kraftwerk’s current concert circuit, where the quartet traded in their large mechanical machinery for merely laptops, computer mice and sleek resting stands.

Though their recreation of various beats, programs and elecronica arrangements was somewhat casual and without much movement, the true testament to their entertaining ability was the back drop jumbo screen that lit up with vibrant imagery. Take for instance tracks like “The Model,” “Autobahn” and “Vitamin,” all of which were augmented with vivacious scenes, respectively including those with Hollywood actresses, motor speedways and pills falling from the sky. Additionally interesting pairings included the futuristic visions throughout “Home Computer” and “Pocket Calculator,” along with “The Robots” when the group was temporarily replaced on stage by mannequin look-a-likes. However, it was “Elektro Kardiogramm” that was the most theatrical, with the guys dawning glow in the dark green suites that illuminated checkerboard patterns on their bodies. Despite the probability it will be quite some time before an opportunity like this comes up again for locals, “Minimum-Maximum” will at least partially make up for those who unfortunately missed the experience first hand.


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