WILL HOGE

From Teacher To Tunesmith

by Tom Lounges

 

                                                               

 

 

     The Nashville-born and bred singer/songwriter, WILL HOGE, discovered during his sophomore year at the University of Kentucky, that his calling was to to be a rock ‘n’ roller rather than teaching high school level history. 

            “Sometimes there’s something you just want to try to do. Something that you don’t want to go through life regretting that you never attempted and never experienced,” said Hoge via cell phone enroute to a gig.   

            Following his gut feeling, Hoge picked up a guitar for the first time in his life at the age of 20, slapped together his first rag tag band, and began kicking up some dust in clubs around the university.  Discovering he had a natural affinity to rock, Hoge decided to quit school and chase his newfound dream. 

            That early band of beer-swilling college boys he tossed together on a whim to play frat parties, has since evolved into the dedicated group that self-financed the independent album –– "Carousel" –– which has enjoyed some respectable radio play across the U.S. 

            “We never actively solicited our stuff to radio,” said Hoge. “Our hometown radio station picked up on the song ‘Ms. Williams’ and other stations have started playing that song and a few others.  We’ve been very fortunate.” 

Hoge’s two-year-old permanent band now also includes – drummer KIRK YOQUELET , bassist TRES SASSER and new guitarist BRIAN LAYSON (who recently replaced ex-Georgia Satellites guitarist/frontman DAN BAIRD in the line-up).  

 “We’re on the road a LOT right now trying to get our music heard and get our name out there,”  Hoge explained, “Dan’s got a family and really didn’t want to be on the road again that much.  Plus he has his own band (The Yay-Hoos) and that keeps him plenty busy.  It was actually Dan who suggested Brian [as his replacement] and the rest of us just fell in love with him musically.” 

Looking back over the last half dozen years, the artist –– who has been favorably compared by the media to the likes of Bruce Springsteen and Elvis Costello –– can not explain why after a lifetime of being non-musical, he suddenly felt the need to put a band together rather than crack his books. He’s only that he’s glad he did.   

            “It just seemed like a good idea at that time in my life,” he said.  “I was always a fan of all kinds of music. My father inspired that in me.  He used to take me to a lot of concerts growing up.  He played bass and sang in a rock ‘n’ roll band that used to gig around the Nashville area. My dad’s very passionate about music and thankfully he passed that on to me.” 

            Today, at the ripe old age of 27, Hoge is happy to be making new musical history, rather than living life in some classroom lecturing from dusty old books had he not decided to follow his heart. 

             Hoge writes from personal experiences and observations.  He holds up the vast Lennon/McCartney songbook as something that fuels his writing aspirations.  “My God, those guys wrote so many remarkable songs,” he said. “I think every songwriter who has picked up a pen since the 1960s has aspired to one day be like them.” 

Hoge has spent the last year on the road with his self-named quartet supporting "Carousel," doing random headline gigs and as the support act on three major tours.

  “We did a few weeks with Rod Stewart right after the CD came out last spring and then we were out doing sheds with John Mellencamp and The Wallflowers for a good part of last summer.  Then we went out with Midnight Oil through the fall and [now] we’re going back out with them again...”

  “Every one of those artists have treated us really great and their audiences have responded well to us,” said Hoge, reflecting on having had the opportunity to share the limelight of so many established rock stars.   

When the band played the Levi’s Stage at Tinley Park’s Tweeter Center last August while with the Mellencamp tour, Hoge appeared to have all the confidence in the world as he took command of the stage and won over those watching. 

 “I’m soooooo glad to hear you say that,” mused Hoge.  “Because that means the smoke screen is working. I’m actually still pretty nervous when I go on stage.  I guess that’s a really good thing to be though, because it makes you work harder. But I’m glad it doesn’t show when I’m up there.”

 Hoge feels "Carousel" is a solid first effort.  “We didn’t have a label or a budget when making this record,” he said.  “We’d tour for a while and then go in a record on our days off.  It took a while to get things done, but we’re very happy with the end result.” 

       Their sophomore album is forthcoming and Hoge hopes and prays that CD will have a notable label as its home.    

                 “We’ve gotten strong interest from some labels,” he said, not wanting to talk out of school and jinx anything.  “All I know is that I love what we’re doing with this band and regardless, I have no plans to stop.

             Meanwhile, Hoge and his boys will keep on cruisin’ down the highway and winning over fans one town at a time.  “Being on stage is the best way I know to get your music to people,” he concludes, “so we’ll just keep doing what we’re doing!”     

       (WILL HOGE BAND performs MAY 1&2 @ House Of Blues in Chicago w/ MIDNIGHT OIL)

 

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