MICHAEL CHARLES

 

 


AWESOME AUSSIE STRING BENDER ROCKS REGION

MICHAEL CHARLES

 

by  Ernie Thomas

 

 

 

 

During the last decade, guitarist Michael Charles has spent more time on these shores than those of his native Australia.

“I go back from time to time, but mostly I’m over here now,” he said.

“It’s been about 12 years since I’ve released anything in Australia, but that’s about to change,” he said. 

Charles has been spending a lot of time lately in his state-of-the-art Chicago recording studio, which is also the home of his own Moonlight Records label.

 

There, Charles just completed work on a batch of songs for his latest album, Nobody’s Fool.  He recently wired those recorded tracks via the internet to a studio in Australia, where they are being tweaked out to perfection and then mastered by producer Greg Williams.

 

This marks the first time in years that Williams has twisted knobs on a Charles album. Williams helped the guitar player become a big enough radio star in his homeland to land him in regular rotation on the Australian version of MTV.  

 

 “This will be my first album released in Australia in a dozen years, so it’s sort of a come back for me there,” he said.

 

Nobody’s Fool is expected to be released in America by early summer via Charles’ Moonlight Records. In Australia, it will be released as a joint venture between his Moonlight label and the Aussie imprint, New Market Records.

 

 “Because of technology available to us today, Greg and I are able to work together again” he said.  “Because everything is digital, musicians can work from one side of the world to another these days without losing any quality or anything in the transfer.”        

 

Charles began playing music at age five after discovering his father’s old guitar sitting in the corner.  

 

 “My dad was always fiddling around with his guitar. He never played as his occupation, but he could hold his own,” said Charles.  “He taught me the rudiments, the structures, basic chords and things like that.  I still remember the day he looked and me and said, ‘You don’t need me no more son.  You’re on your own.’  Playing guitar is all I’ve ever done.  I’ve never had a day job.”

 

Looking back with hindsight from middle age his career choice, Charles puts it honestly.  “It’s had a lot of ups and downs.  It’s a very hard life, being a professional musician.  Especially, when you have to leave your home, your loved ones and your friends behind to chase your dream.  It’s not been an easy life, but it’s been a good life and it’s been my life.  I have no regrets, because I can’t imagine not playing music and I can’t imagine doing anything else for a living.”

 

Numerous singles and five strong selling albums have landed Charles on several Australian television programs, radio stations and in plenty of magazines over the years.  

 

All told, the artist has released more than 25 recordings over the last two decades, ranging from straight ahead guitar rock to old school blues.  

 

 “I started out playing rock, but then I discovered the blues,” he said.  “I love the blues, but it can be limiting, so recently I have been moving more towards rock again, but definitely with a strong blues feel.”

 

Charles has been hailed by in the media as “Australia’s answer to Stevie Ray Vaughan” and he cites Eric Clapton as being his primary influence. 

 

That said, it seems almost kismet that Buddy Guy, a friend of both those legendary guitarists, was the person responsible for bringing Charles to the United States for the first time in 1989. 

 

 “My manager contacted Buddy’s manager about be playing at his club [Buddy Guy’s Legends],” he recalled.  Charles told how his first flight here was delayed for hours and that when he landed at O’Hare International Airport, he was whisked immediately to Legends, where he joined Guy live on stage in mid-jam. 

 

 “I’ll never forget that night,” he laughed.  “I was terribly jet-lagged from the long flight from Australia and I’m pushed on stage.  I’m trying to talk to the other guys up there playing [with Guy] to find out what key they are in, and they can’t understand me because my accent was so strong back then.   So there I was... tired, nervous and winging it...while on stage playing with Buddy Guy.”   

 

Surprisingly, Charles did not crash and burn that night.  He has been asked back to Legends many times since then, including to bend strings at Guy’s Annual All-Star Birthday Jam.

 

After several years of being consistently on the road touring, Charles explained that he took a break two years ago to build his Chicagoland studio and “to kick back a bit and relax for a while.”

 

When the itch to play began getting stronger and stronger, Charles assembled a new live combo which is currently doing a handful of regional dates at small clubs with these new musical mates, in anticipation of soon hitting the tour trail again.

 

While the guitarist slips into his live set some customized cover versions of traditional blues numbers like “The Sky Is Crying,” “Everyday I Have The Blues” and “The Thrill Is Gone”, his live concerts are largely spent showcasing the deep songbook he himself has created over the years.

 

More at: www.michaelcharles.us 

 

 

Michael Charles Band performs April 8 at

Soprano’s Lounge in Griffith, Indiana.   


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