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EAT A PEACH: NO PITS...JUST
JUICY ROCK 'N' ROLL!
by Tom Lounges

Eat A Peach is a South Side band that has
been beating the bushes for
quite some time and who have undergone a remarkable metamorphosis in
sound
and image in the last two years.
What began as an Allman Brothers tribute (and a
damn good one at that!)
has come full circle, evolving into an original music project with two
CDs to
its credit, invitations to perform at prestigious venues, and on the
cusp of
their first-ever national tour.
“It’s all really been happening pretty fast,”
says guitarist/vocalist
Curt Sanders, one of the three original members still with the
quintet.
“Especially in the last year or so, when we started getting all this
attention thrown at us, thanks to a lot of hard work by our management
team
(Dawn Wendt and Gale Huguelet).”
Their debut album, Turbulence & Thunder, has
sold nearly two thousand
copies since it’s release just over a year ago. It’s gotten
a fair share of
air time on college market stations, internet radio programs and even
some
commercial radio outlets in various parts of the country.
The radio play of their songs resulted in Eat A
Peach being the subject
of several feature articles for a variety of print publications,
including
one in France.
It also got them invited to be included on
the Earth Day 2000
compilation CD, a fundraising disc for environmental issues put out by
Limited Access, Inc. (in conjunction with the TBS cable network).

“We’ve been selling Turbulence & Thunder mostly
over the internet,” said
Sanders, “but we also seem to be selling a lot at local record
stores like
Crow’s Nest and Discount Records.” “Of course, we
tend to move quite a few
copies at our shows too,” added drummer/percussionist, Mike
Severence,
another original EAP member.
While things have steadily progressed since
they opted to shelve the
“tribute” schtick and pursue an original music direction, the move
has been
both a fruitful and costly one for the band of longtime friends.
“We knew that we had to start doing this
(original music), because we all
had songs in our heads that needed to come out. We all wanted to
show what
we could do as a band,” said Sanders. “We love the (Allman)
Brothers and we
always had done their songs with our own style, but it was time to
move on
from there.”
While certainly satisfying their creative spirit,
the decision to take
that next step and shift their focus, meant more demands on the
individual
members. It meant more time with the band and less at home with
their
families.
“We jumped right into it and started writing like
crazy and it got to be
a little too much for a couple of the guys who had families and
jobs,” said
organ player/vocalist, Greg Schlietwiler, a co-founder of the band.
“So as
hard as it was, for the sake of the band, we had to make some major
changes.”
Those changes were – Andy Ross and
Rogers Anders – on guitar and bass,
respectively.
As fate would have it, during the midst of the
personnel shifts Eat A
Peach were asked to headline the Levi’s Stage at the World Music
Theatre,
where they had the honor of opening for both Carlos Santana and Pink
Floyd’s
Roger Waters. “From what they tell me, we are the
only unsigned band to
ever be asked to play at the World Theatre during regular major shows
like
that,” said Sanders. “They told us that we drew a bigger
crowd to the
Levi’s Stage than most national bands who have played there, which
is why
they asked us to come back a second time. We’re supposed to
play there again
this summer, but with the tour we are doing and with their (World)
schedule
still coming together, I don’t have any details on that right
now.”
“It’s been like a rebirth,” said
Schlietwiler. “That’s the only way I
can describe the way things feel since these guys have come into the
band.”
Severence and Sanders both agree.
“It’s been a pretty smooth transition actually and
all in all, it’s been
a very productive change for the band,” said Severence, who co-wrote
a track
called “Tracing Linda,” with Ross for the group’s soon-to-be
released
sophomore CD. That song has been reportedly been selected
to be the theme
for the FOX-TV sports program, “Fox Sports Net,” with Norm Van
Lear.
“Andy is a really incredible songwriter,” adds
Schlietwiler, who until a
few months ago had been the group’s primary songcrafter, along with
Sanders.
“Andy’s writing all the time and his style fits our group
very well, but at
the same time it’s a lot different than what Curt and I do.”
Sanders is without a doubt the most
Southern-fried member of the band.
His songs tend to reflect his South of the Mason/Dixon Line roots.
Schlietwiler, a classically trained pianist since he was a toddler, is
more
rooted in American blues. The Southern blues of the Allman
Brothers was a
common musical ground for the two musicians, which is why the group
chose to
pursue the “tribute” route early on, when formed their first band
together,
Brothers Of The Road.
Severence has an affinity for “old school”
progressive rock and likes his
sound to be “big” like his early inspirations – Rush, Yes and
King Crimson.
With the recent addition of their two new members,
the band’s sound
encompasses a much greater scope and covers a much wider musical
range. That
is crystal clear while listening to their second release, Bound To
Shine.
While not straying completely away from their
Southern Rock roots –
(“That will always be a big part of our music, because it is where
we came
from,” says Sanders) – the music on Bound To Shine finds the band
heading in
a considerably more mainstream direction.
Credit most of that change to Ross, who comes
from a British Pub Rock
background. He cites the likes of Nick Lowe, Brinsley Schwartz
and Elvis
Costello has his early influences and before hooking up with Eat A
Peach,
spent a lot of time doing the coffee house circuit as a solo acoustic
player.
“I got tired of the bullshit of being in a band
in 1996,” said Ross.
“You’d put all this time into writing songs and recording and
booking shows,
only to have someone’s girlfriend cause a rift and the band would
break up.
Or you’d have a couple of guys who’d never show up to practice or
who where
into drugs or booze... It just got very old. I
didn’t think I would ever
want to do the band thing again until these guys called me up.”
Ross and the old Eat A Peach line-up
had been friends for a number of
years and when an opening came up in the band, he was the first player
they
contacted. “The musicianship in this group is incredible
and I couldn’t
believe they wanted me in this band,” said Ross. “But here I
am and I’m
loving every minute of it!”
Anders is a cousin of Sanders and an
original member of the old
Brothers Of The Road band that banged around clubs more than a decade
ago.
“I hadn’t played at all in six years,” he
laughed. “I sold my bass and
just stopped playing. Curt called and asked me to fill in for a
few dates
when they were going through a transition and then they asked me to
stay on
with them. It feels great to be back out playing again.
I’ve know all of
the guys for so long, that it’s been very easy to slip back into the
groove.”
Sadly, at press time,
the anchor date of the Eat A Peach tour was
cancelled. They were to be one of many bands from around the
world to
perform the huge TBS-sponsored “Down To Earth Day” festival in
Atlanta,
Georgia. The recent buyout of TBS by AOL and Time/Warner
resulted in the
event’s funding being diverted, which resulted in the cancellation
of the
concert. It was linked to the TBS environmental program for kids,
“Captain
Planet.”
Regardless, the month-long Eat A Peach
U.S. tour, which was built
around that date will still go on as planned.
“We’ll be driving all over the South from April
20 through July 7,” said
Sanders. “We have dates in Kentucky, Florida, Alabama,
Tennessee and then we
route back up through the Midwest to Illinois, Michigan, Wisconsin and
then
back to Indiana. We’re also supposed to be playing at Sturges
this year and
at the “Taste Of Chicago” on the FOX-TV stage from what I’ve
been told. So
it looks like it’s going to be a really busy summer for us.”
“Above all else, we want to thank all of
our fans for helping us get to
this point,” said Schlietwiler.
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