FROM THE DESK OF...  SHELLY HARRIS

MORE ON MUSIC PUBLISHING

 

by: Shelly Harris / Entertainment Attorney

                            

CONTRACTS: When Artist Is Not Happy..

 

 

Greetings!  Below is another of a series of answers to questions concerning music law that have been emailed to me.   

However, before I get to this month’s Q & A, let me remind those of you who are musicians producing roots-related, independent type “music of the heart” –– or those of you who are fans of such music, as I am –– that the best conference and showcase in the country for what has lately been labeled “Americana” music takes place (for the fourth year in a row) this September 18-20 in Nashville, TN.     

For more information, I highly recommend you check out: www.americanamusic.com   

 And now for this month’s legal issue:

 


QUESTION:  I’ve got a contract with a label, but the problem is that it’s been two years and I have not received a dime... He hasn’t gotten me there like he said he would, and he hasn’t put any product out, and he is not returning my calls... I have other people interested... in using my services.  What are my rights, and what do I do?   

 

ANSWER:  First of all, it depends on what kind of contract you signed, and how specific the contract was about your mutual obligations.    

Most record contracts, whether of the purely distributional type, or artist development or production type, or all of the above, will stipulate a specific time period that it is to be binding or renewed by one of the parties.  In fact, any record contract that doesn’t include a specific time frame or potential time frame, is a very poorly drafted one.      

Though it might seem like tedious, aggravating, and unnecessary “legalese,” the more specific the terms of any contract, the less chance there is for any misunderstanding of its terms by either party, and thus there is less potential litigation.       

But, for discussion’s sake, lets assume you had a two-year exclusive production and distribution contract, in which the label has promised to produce, promote, and distribute your music within the specified time-frame, and also to provide you with certain royalties, in exchange for the label’s retention of certain exclusive enumerated rights (including potential part-ownership of the songs or publishing rights) and royalties from the music you deliver to it within the period of the contract.      

If you don’t deliver music of a defined quantity and quality within the time frame to the label, or, conversely, if the label is in receipt of at least rough recordings of your music and chooses to do nothing with it, it is possible that one or both parties can be in breach of the terms of the contract, and legal action, beginning with letters addressing the breach, would commence between the parties.      

Please note that unanswered phone calls (such as those you are referring to) usually suddenly get answered when attorneys get involved, because the mere threat of legal action can be enough for either party to take valid complaints seriously.  (However, a well-drafted contract, which should have been reviewed and amended by attorneys for both sides in the first place, especially if you personally are not fully aware of the legal consequences, may drastically reduce the legal letter writing and wrangling later on.)      

If the label has provided you with any “advance” payment, but has shelved the music you have delivered to them, or otherwise failed to promote, advance, and distribute your work in a timely and satisfactory fashion per the terms of the contract, you may also want to attempt to negotiate with them for an early release from the contract (in exchange for sums advanced, etc.) and/or for having your rights to your work, including any master tapes, returned to you exclusively.      

The latter would permit you to shop your existing work to a more lucrative, enthusiastic, or supportive label without having to pay the current label percentages of future royalties, or have it continue to “control” your work (originally produced under the contract) in any way.      

As in all cases of this type, the specific language of the contract you entered into, plus any additional verbal agreements between you and the label, is crucial in giving individualized, adequate, and accurate legal advice; therefore, if you lack sufficient legal knowledge to handle the situation on your own, you must, unfortunately (!), retain an attorney of your choice to analyze your specific situation and advise you with the best plan of action.    

                               Write to Shelly Harris at: shellyharrislaw@aol.com

 

 

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