FEATURE 

IT’S ABOUT TIME… for KENNY LOGGINS!

by Tom Lounges

 

 

Kenny Loggins is one of those rare artists whose expansive songbook reaches out across generations and demographics and is capable of touching virtually everyone who listens.       

From aging hippies who fondly remember his early folk rock classics like “Danny’s Song” and “Angry Eyes” from his Loggins & Messina period; to the gurgling grandchildren they now rock to sleep while singing Loggins’ toddler anthem, “House At Pooh Corner” –– the 55-year-old father of five has contributed many memories to many people over the years.     

He also has some fans who do not even known they are fans, because some folks do not even realize that Kenny Loggins is the voice and writer behind songs they love in such ‘80s blockbuster film classics like “Caddy Shack,” “Footloose,” “Top Gun,” and “One Fine Day,” to mention just a few.        

And for those twentysomethings out there who think ‘80s glam-rockers Poison were the originators of “Your Mama Don’t Dance”?   Get a grip, Loggins & Messina wrote that song and took it into the national Top 5 1973, a full decade before Poison ever struck their first note together.  

“IT’S ABOUT TIME” TO TOUR...

    

Loggins is currently out promoting his brand new studio album –– It’s About Time –– which he described as being “a cross between my early acoustic roots and my Leap of Faith album.   One of the new cuts – “I Miss Us” – finds Loggins dueting with renown Chicago pop singer, Richard Marx.      

Another prominent guest on the new Loggins CD is Michael McDonald, who co-wrote and shares lead vocals on the title track.  “This was the first time in about ten years, that Michael and I have collaborated,” said Loggins, of the partner who helped him take home a Grammy for “What A Fool Believes.”       

Loggins has released It’s About Time via the West Coast-based independent label, All The Best Records.  Though his 35-song/2-CD greatest hits collection, The Essential Kenny Loggins, was released last year through Sony, they only handle the artist’s back catalog. Loggins parted ways with Sony during a massive downsizing about two years ago, leaving him to oversee the release of all new recordings, which suits him just fine.    

“I’m a free agent for the first time in years, which is kind of a strange feeling,” he said, “but a good feeling at the same time.”    

“Naturally, fans can expect to hear all the old favorites when they come to see me this month in Chicago with Hall & Oates, but I’ll also slip in a couple of new songs, like the one I wrote for my son (Luke) called, ‘The One That Got Away’,” he added.     

Loggins has now released 24 official albums --nine as half of Loggins & Messina team and fourteen as a solo artist -- not to mention the many soundtracks to which he has contributed.      

In all, Loggins has amassed sales of more then 20 million records since stepping out as a solo artist in 1976, which earned him 12 platinum albums, 14 gold albums, two Grammy Awards (“This Is It” and “What A Fool Believes”) and an Academy Award nomination for his work on “Footloose.”    

Of his extensive body of work, “Footloose” and “Danny’s Song,” are two numbers Loggins said he could not ever improve upon.  “Those are my high water marks I think,” he said, adding that his version of “What A Fool Believes” could have been better had he kept an open mind to the suggestions of others around him at the time he was recording. 

      “That song is where I learned the lesson to never get so wrapped up in what I think a song should sound like, that I don’t take into consideration the thoughts of others working around me,” he said. 

MAMA DON’T DANCE, BUT...

     “My mama didn’t dance and my daddy didn’t rock ‘n’ roll,” laughed Loggins when asked if he hails from a musical family.  “Neither my mother nor my father were musical. But both of my older brothers were major influences on me musically.  Especially my brother Dan, who is four years older than me and who got me into music at an early age.”

     Loggins described himself as shy and withdrawal as a young child.  “Because I had bucked teeth and big ears, the guitar became a place for me to hide.” he continued.  “Once I grew into my ears and my orthodontist helped with the rest, I suddenly found that I had a talent that I could use to meet girls and make friends.  From there it’s the typical story of playing in bands, until I finally found my way to Jimmy Messina, who had just left Poco and who was originally just suppose to produce my first album as a solo act, but ultimately became my musical partner in the early ‘70s.”   

      Loggins & Messina, though his first major success, was not the singer/songwriter’s first major act.  “My second year of college I joined the Electric Prunes and went on the road with them,” he recalled.  “But that did not last very long, because only two original members were still in the band at that time and they had stopped doing all the old Prunes songs in favor of having all of us new guys do new songs.  We bombed doing songs like ‘Danny’s Song’ and ‘Back To Georgia’, because people were yelling for ‘I Had Too Much To Dream Last Night.’  It was a traumatic year for me...”    

This first generation musician of the Loggins clan, has spawned a trio of second generation rockers.  Of his five children, three are deeply rooted in music like dear ol’ dad.  Eldest son Crosby (age 22) is a professional singer/songwriter, son Cody (age 21) is part of the Loggin’s stage crew, and daughter Isabella (age 15) who graced the cover of her dad’ Leap Of Faith album and is an drummer and guitarist.  “She and Crosby are now doing some shows together as a duo,” he said.        

Rounding out the gaggle of offspring is Luke (age 9) and Hana (age 5).  Luke is a baseball superstar in training. “He lives and breaths baseball,” mused Loggins. “I know it’s kind of early, but I think Hana’s got musical spark in her,” he crowed. “There’ll be Loggins music coming for a long time I expect!” 

            KENNY LOGGINS performs in Chicago with HALL & OATES on Aug. 19 @ Chicago Theatre  


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