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“FRESH
FACES: NEW ARTIST PROFILE
BUCHANAN! by Tom Lounges
More than a mere
frontman when it comes to the delivery of the music, Buchanan also plays
a variety of instruments on the band’s forthcoming disc, All Understood, and plays
them well. He has also
created some damn tasty arrangements that will be found ear-appealing to
everyone from folkies, to jazzers, to progressive/jam rock fans.
This album is
delightfully paradoxical in that it is eclectic, yet consistent, thus
keeping it a refreshing listen from start to finish.
Kudos to Jay Buchanan for the stylistic irreverence with which he
paints this multi-hued palate of sounds and sonic moods. Before you run out and
try to buy this warm and exciting set of tunes, be warned that – you
can’t! All Understood will not be released to stores (via indie label Ultimatum Music), until the first week of January. The only way you can wrap your ears around a copy right now is right here through this month’s “Fresh Face” write-in raffle. “We’re
going bare bones right now, trying our best to build a fan base,” said
Buchanan in an interview from the road.
“We’ve
opened for Hootie & The Blowfish, played a side stage at a John
Mayer/Counting Crows concert, but mostly we are just going from one club
to another playing our music and hoping to find some open ears.” “Soulful,”
“dark” and “melancholy” are all adjectives that could accurately
be affixed on Buchanan’s music. Likewise
are “upbeat,” “dynamic” and “groovin’.”
The sashaying cha-cha rhythm of “Three
Times Coleen,” was initially my favorite cut on the album the very
first time it spun. This is
a clever and catchy confessional piece that affords the listener the
chance to eavesdrop on the naughty doings of ill-fated hearthobs. The very next listen, it was the biting “American
Son” that slapped me senseless. From the frantic drumming that
heralds the song’s start, through the jazzy syncopations and the
disturbing, yet thought-provoking refrain –– “you
teach your son how to hold a gun, you think your god is the only one.” The point here being, that Buchanan is
masterful at coloring his songs with verbal and rhythmic emotional
triggers that easily swing with a listener’s mood and temperament. Feeling introspective?
Listen to Buchanan. Feeling
angry? Listen to Buchanan.
Feeling like the whole world just collectively kicked your dog?
Listen to Buchanan. Unlike most artists who tap into a
specific genre or style and lock in (i.e.
dance, pop, blues, head-banging), Buchanan’s music works for the
listener at all emotional levels – from low to high. Okay, so maybe they
missed the boat in the head-banging department entirely, but hey, I can
forgive that, because Jay Buchanan plays the freakin’ Xylophone on
cuts here. When was the
last time you heard one of those on a rock ‘n’ roll record?
Lionel Hampton would smile I’m bettin’. While the writing of
Jay Buchanan may be the foundation of this remarkable young group, and
his lilting, quirky vocals the ceiling, one man does not truly make a
band. Rounding out the
quartet and breathing life into the music through invigorating playing
are drummer/percussionist Chris
Powell, guitarist Ty Stewart
and bassist Todd Sanders. Their tight performances on this album are tremendous and
hopefully Buchanan will retain this fine trio to accompany him, because
as an ensemble they work like a fine precision tool. “We did an album on
our own in 2000 called, Violence,
that was basically me trying to get some of my songs recorded.
I was recording and doing everything myself and I had just pulled
these guys together and would say, ‘Can
you play this part kinda like this or kinda like that...’,”
recalled Buchanan on how he and his band members first hooked up. “When
we made this new album, we’d all had time to really gel as a band.
Things have really progressed and purveyed into it’s own thing.
Everyone’s got their stylistic thumbprint on this record.
It really is a band project.” For more info: log on the band’s site: www.buchananmusic.com/
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